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Albert Lee featuring Cindy Cashdollar with Special Guest Atlas Gray with Cindy Cashdollar

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For 10% OFF Orchestra Level seats, please use the discount code HOTTOWN10 at checkout! (case sensitive)

Eric Clapton’s “favorite guitarist of all time,” Grammy-Winning six-string slinger Albert Lee is returning to Infinity Hall, but he ain’t coming alone, Cindy Cashdollar will be sliding her virtuosic Dobro skills all night. Albert Lee is a five-time consecutive Guitar Player magazine's awards "Best Country Guitarist,” and Cindy Cashdollar (yes, that is her real name) has worked with Ryan Adams, Bob Dylan, Van Morrison, I could go on and on, but you should probably just watch the video, then buy tickets to what promises to be a great night of guitar playing!!

Albert Lee

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www.albertlee.co.uk

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Artist Bio

"The greatest guitarist in the world."- Eric Clapton

“Albert is in every sense of the word, a genuine guitar wizard".- Earl Scruggs

Guitar legend ALBERT LEE first came to prominence during a 1964-68 stint in British Blues and R & B stalwarts Chris Farlowe’s Thunderbirds. After working in the UK bands for touring country acts such as Bobby Bare and Skeeter Davis, Lee’s next full-time berth was two years with the UK answer to the Flying Burrito Brothers and Nitty Gritty Dirt Band-Head, Hands, and Feet. His reputation grew and session work blossomed, including appearances on “The London Bo Diddley Sessions” for Chess and Jerry Lee Lewis’ “The London Sessions”. This and other work with U.S. based greats led to a permanent position in the Crickets, and by the time that ended Albert had long since made Southern California his home. There he became friendly with Don Everly, who had also settled in Southern California; they played regularly on a formal and informal basis, with Albert contributing to Don’s 1974 solo effort “Sunset Towers”. The move to California also led to work on sessions for the debut album of Jackson Browne.

Lee joined Joe Cocker’s band in the mid-70s, a time that included recordings for the April 1976 release “Stingray”. From there A & M Records signed Albert as an artist in his own right. The solo album’s completion was delayed by constant studio and touring work, primarily in Emmylou Harris’ Hot Band; in 1976 Albert replaced James Burton when Burton left to continue work with Elvis Presley’s TCB band. The Emmylou Harris albums “Luxury Liner” (Jan. 1977), “Quarter Moon in a Ten Cent Town” (Jan. 1978) “Blue Kentucky Girl” (April 1979), “Roses in the Snow” (May 1980, recorded July 1979), and “Evangeline” (Jan 1981, recorded 1978-80) all include Albert. He ended his touring tenure with the Hot Band to complete his solo album, and “Hiding” was finally released in 1979.

An invitation around the Christmas season in 1978 led to a five-year adventure for Albert in Eric Clapton’s band. The live album “Just One Night”, recorded at Budokan in December 1979, was the first release (April 1980) to feature Albert. “Another Ticket” (Feb. 1981), “Time Pieces Vol 2-Live in the 70s” (1983), and “Money and Cigarettes” (Feb. 1983) all were part of Albert’s tenure with Eric.

His studio work in this period continued, including contributions to three albums by Rosanne Cash: 1979’s “Right or Wrong”, 1981’s “Seven Year Ache”, and 1982’s “Somewhere in the Stars”. Other sessions included work with Dave Edmunds, Rodney Crowell, Nanci Griffith, Carlene Carter, and countless others. His solo efforts continued as well, with the self-titled “Albert Lee” in 1982, and instrumental releases on MCA- the acclaimed “Speechless” (1986) and “Gagged But Not Bound” (1987).

When the Everly Brothers reunited on September 23, 1983 at London’s Royal Albert Hall, Albert was on hand as guitarist and Musical Director. He continued in that role for over 20 years until the Brothers retired. An invitation in 1987 by steel guitarist Gerry Hogan for Albert to play his annual festival led to the formation of Albert Lee and Hogan’s Heroes, who remain an active touring force in the UK and Europe- and a recording force worldwide, with 7 albums to their credit. The DVD “Live at the Tivoli” was released in 2011, and the new CD, “On the Town Tonight” was released on February 14, 2012.

Albert remains an occasional member of the Crickets, and tours regularly with Bill Wyman’s Rhythm Kings. Sugar Hill Records released Albert’s solo efforts “Heartbreak Hill” in 2003 and “Road Runner” in 2006. A summer 2011 jaunt with John Jorgenson prompted Albert to form his own U.S. band for the very first time.

The Albert Lee Band includes John Thomas, aka “J.T’, on keyboards. J.T.’s musical resume includes 23 years with Bruce Hornsby, who graciously called John “the greatest keyboard player in the band.” Emmylou Harris, Don Henley, Sparks, Tracy Chapman and a host of other have called upon John’s gifts. Bass player Will MacGregor’s credits are a testament to his wide-ranging talents, having worked with the likes of the Pretenders, Pat Boone, Exene Cervenka, and more.

Cindy Cashdollar

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www.cindycashdollar.com

Austin-based Dobro and steel guitarist Cindy Cashdollar's career has taken some surprising twists and turns that have led her to work with many leading artists in various genres; including Ryan Adams, Bob Dylan, Van Morrison, Dave Alvin, Rod Stewart, Asleep At The Wheel, Marcia Ball, Jorma Kaukonen, Leon Redbone, BeauSoleil, Daniel Lanois, Redd Volkaert, & Peter Rowan. Cindy's unerring ability to perfectly complement a song or step out with a tasteful, imaginative, and exciting solo - and to do it in so many musical genres - has made her one of the most in-demand musicians on the American roots music scene. Her debut CD, "Slide Show", features guest artists comprising a Who's Who from the landscape of Roots & Americana music. Cindy was inducted into the Texas Steel Guitar Hall Of Fame in 2011 (the first female to be inducted), and The Texas Music Hall Of Fame in 2012

Cindy first heard the unique sliding sound of the Dobro in her hometown of Woodstock, New York where she honed her skills playing with bluegrass legend John Herald, blues great Paul Butterfield, Levon Helm and Rick Danko of The Band, and many others who lived in the small but musically hip Catskill mountain town. Eight years and thousands of miles on the road with the premier western swing group Asleep At The Wheel helped her introduce the classic sounds of the non-pedal steel to enthusiastic audiences worldwide, and brought her five Grammy Awards and opportunities to work with musicians of the caliber of Willie Nelson, Merle Haggard, Dolly Parton and The Dixie Chicks.

National Public Radio listeners can catch her guest appearances on Garrison Keillor's live radio program, "A Prairie Home Companion." In great demand as a teacher, Cindy has given many workshops and produced four instructional DVDs distributed internationally by Homespun Tapes. Her debut CD, Slide Show, featured guest artists comprising a Who's Who of roots music including Sonny Landreth, Marcia Ball, Mike Auldridge, Redd Volkaert, Herb Remington, Jorma Kaukonen, & Steve James.

Whether adding driving leads behind Rod Stewart or Ryan Adams, swinging an instrumental with Garrison Keillor's Prairie Home Companion band, or trading blazing licks with Texas Telecaster master Redd Volkaert, Cindy does it all with grace, imagination, and taste. And, in answer to her most frequently asked question, yes, Cashdollar is a real name.

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Atlas Gray

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www.atlasgray.com

Rumor has it that Sir Tembo (headmaster of a school for wayward boys) took five of his most troubled enrollees on a safari to the Serengeti….a well meaning attempt to further their worldly awareness.

Soon after their arrival, and in the depths of late night darkness, the boys deceptively abandoned the tutorial voyage and scurried out of camp in pursuit of their own cultural expedition.  Haplessly, a few hours into the next morning’s light they were tragically abducted by native tribesman, caged in the center of a remote village and left with little to ponder less their eventual fate.

In no more than a week’s time, our captives frightfully witnessed a merciless midnight raid on the village by a band of rogue elephants.  Dubbed by the tribe’s elders as “The Grays” and their leader as “Atlas” (a bull beyond massive proportions) the pachydermic gang raged havoc and destruction beyond imaginable description.  The boys additionally discovered the attack was somewhat common and the tribe, obviously, had yet to devise the means to avert their repetitive tormentors.

Quick minded, the boys drew from the age old adage that “music calms the most savage of beasts” and devised an ingenious scheme that would hopefully provide a mutually beneficial resolve.  Incorporating hollowed logs and materials stripped from their penal stockade, they hastily fashioned crude percussive and string instruments, composed a repertoire of mesmerizing melodies with intertwined pulsating rhythms……and then sat in wait.

Upon the next assault, the boys immediately began to perform with unbridled passion and conviction.  Low and behold, the ingenious plan proved to be astonishingly effective….the bull became joyously hypnotized and the herd followed suit.  The plunder became a party and sublime harmony prevailed.

Above the most imaginable expectation, the elders were so gratefully impressed they not only released their captives, but also pulled bartered resources to provide the lads’ safe passage back to the US.

Well, you can easily imagine where the continuation of this fable leads us.  Being wayward, devilish and in lieu of desiring conservative careers, the boys (Alex, John, Adam, Andy and Stoltz) were surrealistically convinced.  Music was undeniably their salvation and taking this magical band to the street was nothing short of inevitable destiny.

So what to call the new adventure?

The unanimous decision….ATLAS GRAY.

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