Infinity Music Hall & Bistro
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Bela Fleck with The Knights with The Knights

Hartford

DETAILS

Fri, January 30, 2015
Hartford, CT
Show: 8 PM

Ticket INFO


Member Presale: 10/14/14 06 AM
Public Onsale: 10/16/14 06:01 AM

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GENRE

Contemporary Classical
Bela Fleck with The Knights

Béla Fleck has advanced the art of the banjo more than anyone else in history. And he’s brought excitement and wonder to audiences worldwide while doing so. From the jam band pyrotechnics of the Flecktones to his fascinating fusions with musicians from Asia and Africa, Béla continues to rewrite the banjo playbook.

Bela Fleck

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belafleck.com

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Artist Bio

Just in case you aren’t familiar with Béla Fleck, there are some who say he’s the premiere banjo player in the world. Others claim that Béla has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations. If you are familiar with Béla, you know that he just loves to play the banjo, and put it into unique settings.

Any world-class musician born with the names Béla (for Bartok), Anton (for Dvorak) and Leos (for Janacek) would seem destined to play classical music. Already a powerfully creative force in bluegrass, jazz, pop, rock and world beat, Béla at last made the classical connection with “Perpetual Motion”, his critically acclaimed 2001 Sony Classical recording that went on to win a pair of Grammys, including Best Classical Crossover Album, in the 44th annual Grammy Awards. Collaborating with Fleck on “Perpetual Motion” was his long time friend and colleague Edgar Meyer, a bassist whose virtuosity defies labels and also an acclaimed composer. Béla and Edgar co-wrote and performed a double concerto for banjo, bass and the Nashville Symphony, which debuted in November 2003. They also co-wrote a triple concerto for banjo, bass and tabla, with world renown tabla virtuoso Zakir Hussain entitled The Melody of Rhythm.

In 2011, Béla wrote his first stand alone banjo concerto, on commission with the Nashville Symphony. This work, entitled “The Impostor”, along with his new quintet for banjo and string quartet will be released in August on the Deutche Gramaphone label.

These days he bounces between various intriguing touring situations, such as performing his concerto with symphonies, in a duo with Chick Corea, a trio with Zakir Hussain and Edgar Meyer, concerts with the Brooklyn Rider string quartet, duos with Abigail Washburn, with African artists such as Oumou Sangare and Toumani Diabate, in a jazz collaboration with The Marcus Roberts Trio, doing bluegrass with his old friends, and rare solo concerts. And Béla Fleck and the Flecktones still perform together, 25 years after the band’s inception.

The recipient of Multiple Grammy Awards going back to 1998, Béla Flecks’ total Grammy count is 15 Grammys won, and 30 nominations. He has been nominated in more different musical categories than anyone in Grammy history.

 

Similar Artists:

Bela Fleck & the Flecktones, Brooklyn Rider, Yo Yo Ma, The Silk Road Ensemble, Steve Martin & The Steep Canyon Rangers

The Knights

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www.theknightsnyc.com

The Knights are an orchestral collective, flexible in size and repertory, dedicated to transforming the concert experience. Engaging listeners and defying boundaries with programs that showcase the players’ roots in the classical tradition and passion for musical discovery, The Knights have, as the New Yorker observes, “become one of Brooklyn’s sterling cultural products, [and] are known far beyond the borough for their relaxed virtuosity and expansive repertory.”

The Knights’ 2014-15 season kicks off with a performance at Brooklyn’s Roulette, marking the first of a series of New York City residencies to be undertaken by the group over the next three seasons with support from the Andrew W. Mellon Foundation. Other highlights include the Caramoor Fall Festival, where The Knights serve as curators and give three performances featuring saxophonist Joshua Redman and violinist Gil Shaham; the ensemble’s debut at Carnegie Hall in the New York premiere of the Steven Stucky/Jeremy Denk opera The Classical Style; a collaboration with The National’s Bryce Dessner, broadcast on WNYC’s New Sounds Live; and a residency at the University of Georgia. In the new year, The Knights tour the East Coast with banjo virtuoso Béla Fleck before embarking on a European tour with soprano Dawn Upshaw, featuring performances in Salzburg, Baden-Baden, Darmstadt, and at Vienna’s legendary Musikverein.

Recent season highlights include The Knights’ debut at the Tanglewood and Ojai Music Festivals, and collaborations with Yo-Yo Ma, Itzhak Perlman, Dawn Upshaw, Jeremy Denk, the Mark Morris Dance Group, the Joshua Redman Quartet, santur player Siamak Aghaei, and pipa virtuoso Wu Man, and the creation of the ensemble’s first original group composition. Recordings include an all-Beethoven disc released in January 2013 by Sony Classical (their third project with the label), and 2012’s “smartly programmed” (NPR) A Second of Silence for Ancalagon.

The Knights evolved from late-night chamber music reading parties with friends at the home of violinist Colin Jacobsen and cellist Eric Jacobsen. The Jacobsen brothers, who are also founding members of the string quartet Brooklyn Rider, serve as artistic directors of The Knights, with Eric Jacobsen as conductor. In December 2012, the Jacobsens were selected from among the nation’s top visual, performing, media, and literary artists to receive a prestigious United States Artists Fellowship.

The Knights’ roster boasts remarkably diverse talents, including composers, arrangers, singer-songwriters, and improvisers, who bring a range of cultural influences to the group, from jazz and klezmer to pop and indie rock music. The unique camaraderie within the group retains the intimacy and spontaneity of chamber music in performance.

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