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Marshall Crenshaw with Special Guest Mike Marlin with Mike Marlin

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You know the hits, “Someday, Someway,” “Cynical Girl,” “Whenever You’re On My Mind,” and on and on. If there’s two things Grammy & Golden Globe nominated Singer, Songwriter and Guitarist Marshall Crenshaw does well, it’s writing hits and putting on one heck of a good show!!

Marshall Crenshaw

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www.marshallcrenshaw.com/

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Artist Bio

“One of the fundamental things about the project was that I set out to not make an album,” Marshall Crenshaw notes. “So I did this project, and now at the end of it, there’s this album, for the album fans!….”

The celebrated singer-songwriter-guitarist-producer is discussing #392: The EP Collection, his new CD on the Red River Entertainment label. The 14-track set collects a dozen standout tracks drawn from the innovative series of six 10” vinyl EPs that Crenshaw released between 2013 and 2015, plus a pair of never-before-heard rarities chosen especially for this collection.

The EP series was the product of Crenshaw’s decision to break away from the standard album/tour cycle by recording and releasing a steady stream of new music over an extended period. The endeavor proved wildly popular with his fans, and brought in lots of “I really did love the EP project, and I’m kind of sad that it’s over,” Crenshaw comments. “I was looking for a different way of working that would keep me motivated; it was cool, because it had a sense of urgency; there was always something that had just come out and always something that was on the way. It was an inspiring way to work.” #392: The EP Collection’s twelve studio recordings encompass six new Crenshaw originals and six cover songs. The former group includes the bittersweet and beautiful “Grab the Next Train,” the surging and howling “Move Now,” and the hypnotic and atmospheric “Driving and Dreaming”, while the cover numbers include a reverent remake of the Burt Bacharach/Hal David/Carpenters chestnut “Close to You,” James McMurtry’s “Right Here Now,” longtime Crenshaw favorite Bobby Fuller’s classic “Never to Be Forgotten” and vintage numbers by the Easybeats, the Move and the Lovin’ Spoonful. Rounding out #392: The EP Collection are two previously unreleased tracks: a powerful live version of the Everly Brothers classic “Man with Money,” recorded with Crenshaw’s frequent touring partners the Bottle Rockets, during the week after Phil Everly’s passing, and the infectious “Front Page News,” a ’90s recording of a previously-unheard original that Crenshaw wrote with noted country tunesmith Leroy Preston (“I can’t remember when I did it, or why, but I like it!”, says Crenshaw). “I was fortunate to have lots of brilliant people helping me on these tracks, and they really lifted the proceedings,” Crenshaw reports. “I’m proud about the range of super-excellent musicians who came on board for these sessions.”

#392: The EP Collection includes contributions from avant-jazz trumpet icon Stephen Bernstein, noted jazz vibraphonist Bryan Carrott, versatile Nashville bassist Byron House, Daniel Littleton of the band Ida, renowned composer/keyboardists Rob Morsberger and Jamie Saft, along with longstanding Crenshaw cohorts like guitarists Glen Burtnick and Andy York, bassist Graham Maby, Brian Wilson/Beach Boys sideman Jeffrey Foskett, and acclaimed indie troubadour Dan Bern, who co-wrote four songs with Crenshaw. Meanwhile, on several tracks, Crenshaw worked on his own in his home studio, overdubbing all or most of the instruments and vocal harmonies himself. Crenshaw states, “I’ve been into the Narcissist, solitary-genius thing for a long time. For instance, “‘Cynical Girl,’ on my first album, is just me, and ‘Someday Someway’ is my brother on drums and me on everything else. So working alone sometimes is standard procedure for Over the course of a recording career that’s spanned three decades, 13 albums and hundreds of songs, the Michigan-bred artist’s musical output has maintained a consistently high level of artistry, craftsmanship and passion, endearing him to a broad and loyal fan After getting an early break playing John Lennon in a touring company of the Broadway musical Beatlemania, Crenshaw began his recording career with the now-legendary indie single “Something’s Gonna Happen.” His growing notoriety in his adopted hometown of New York City helped to win Crenshaw a deal with Warner Bros. Records, which released his self-titled 1982 debut album. That collection established Crenshaw as one of the era’s preeminent rock ’ n’ rollers, and that was confirmed by such subsequent albums as Field Day, Downtown, Mary Jean & 9 Others, Good Evening, Life’s Too Short, Miracle of Science, #447, What’s in the Bag? and Jaggedland.

Along the way, Crenshaw’s compositions have been covered by a broad array of performers, including Bette Midler, Kelly Willis, Robert Gordon, Ronnie Spector, Marti Jones and the Gin Blossoms, with whom Crenshaw co-wrote the Top 10 single “Til I Hear It From You.” He’s also provided music for several film soundtracks, appeared in the films La Bamba (in which he portrayed Buddy Holly) and Peggy Sue Got Married, and was nominated for Grammy and a Golden Globe awards for writing the title track for the film comedy Walk Hard: The Dewey Cox Story. Since 2011, Crenshaw has hosted his own radio show, The Bottomless Pit, on New York’s WFUV. He’s currently working on Martin Scorsese and Mick Jagger’s much-anticipated HBO series Vinyl, doing “some session work, a little bit of songwriting..”

His eclectic resume aside, songwriting and record-making remain at the center of Marshall Crenshaw’s creative life, and #392: The EP Collection confirms that his musical flame continues to burn as brightly as ever.

“I still love recorded music and believe in it as an art form, whether it’s a single or album, or vinyl or CD,” Crenshaw asserts, adding, “I think I’ll probably stick with it.”

Mike Marlin

Connect with this artist:

www.mikemarlinmusic.com

I was born in 1961 in suburban London at the turn of advertised world with the Avengers and Private Eye, Diana Spencer and Will Self. As a child I dreamt with my eyes open standing on the edge of nothing, falling. My dreams are all I remember. The night terrors. I learnt early to fear nothing and it has never left me. At four years old I was half blinded. I remember my mother crying; I remember hospital. The smell of dread silence; the occasional wheeze of breathing machines. I thought I was dying but they let me go - me, David Bowie and Columbo.

The world is clear in two dimensions. Children are cruel. I lashed out and folded in. I wanted to know but not to be told. I knew the rules and broke them. I won and never went back. In triumph and disaster I left the suburbs for the dreaming spires. Now there were no rules to break. I knew that talent was not enough and proved it by failing.

I was lost and then I found her in Caroline Road. Or she found me. In the sea of chaos and confusion she is a lifeboat. My life seems more and more unlikely to me. Passionate and insignificant in an infinite universe. How can I be from suburbia? I am an American. I am from the desert where God lives. I go there all the time into the blood red blind emptiness but I cannot find him. I watch my parents die. I love them more now. I could not have loved them less before.

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