Infinity Music Hall & Bistro
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Anders Osborne with Jamie McLean

Norfolk

DETAILS

Fri, July 19, 2019
Norfolk, CT
Doors: 7 PM
Show: 8 PM

Ticket INFO

Price: $45 - $65

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GENRE

Blues / Blues Rock / Rock
Anders Osborne

with Jamie McLean

Osborne’s six-string virtuosity, inventive musicality, and poetic songcraft underpin an ever-expanding three-decade catalog celebrated by fans and critics alike. As a sought-after studio talent, his writing resounds through Keb Mo’s GRAMMY® Award-winning Slow Down, Tim McGraw’s number one “Watch The Wind Blow By,” and covers by Brad Paisley, Jonny Lang, Edwin McCain, Aaron Neville, and more. His output live and in the studio spans working with everyone from Eric Church, Toots and the Maytals, and John Scofield to The Meters, North Mississippi Allstars, and Galactic.

We are excited to welcome him to Norfolk as he tours his newest album, Buddha and The Blues, illuminating his own duality like never before.

Anders Osborne

Connect with this artist:

www.andersosborne.com

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Artist Bio

At one point on his 2019 album, Buddha and The Blues, Anders Osborne sings,“Oh, it’s a miracle we still care. Oh, it’s so wonderful we’re still here. We’re still here!”

He’s not going anywhere either…

Osborne’s six-string virtuosity, inventive musicality, and poetic songcraft underpin an ever-expanding three-decade catalog celebrated by fans and critics alike. As a sought-after studio talent, his writing resounds through Keb Mo’s GRAMMY®Award-winning Slow Down, Tim McGraw’s number one “Watch The Wind Blow By,” and covers by Brad Paisley, Jonny Lang, Edwin McCain, Aaron Neville, and more. His output live and in the studio spans working with everyone from Eric Church, Toots and the Maytals, and John Scofield to The Meters, North Mississippi Allstars, and Galactic. His extensive touring history encompasses gigs, collaborations, and performances alongside everyone from Derek Trucks, Warren Haynes, and Stanton Moore to The Grateful Dead’s Phil Lesh and Jackie Greene. Not to mention, he lights up the screen on an episode of the HBO hit Treme. Plus, he has garnered acclaim from USA Today, Guitar Player, Relix, Offbeat, and more.

He also gives back whenever possible via the “Send Me A Friend” foundation and through writing music for New Orleans Children’s Museum. A pair of 2016 albums—Spacedust & Ocean Viewsand Flowerbox—maintained his prolific output at a record pace. Now, 2019’s Buddha and the Bluesreferences the full scope of the creative and personal duality at the heart of everything this maverick does.

“I came up with the title early on, so I knew what the vibe of the record should be,” he explains. “Buddha and the Bluesmeans the duality of our existence.”

As Osborne crafted the music, he pondered an existential struggle we all face. On the one hand, humans do good, but it’s under the expectation of personal gratification. On the other hand, they desire success and wealth, but they attempt to maintain an appearance of humility. This constant push-and-pull led him to write about “not getting lost in a sunken path or idolizing an intangible future, but instead to be present in this moment and to be fully alive.

These thoughts filtered into the words, especially.

He goes on, “The lyrics are supposed to be true, conversational, and uplifting with clean, classic, and thumpin’ sounds. That’s what I set out to accomplish.”

In order to do so, he joined forces with “a world-class ensemble”of Waddy Wachtel [guitar], Bob Glaub [bass], Benmont Tench [keys], Windy Wagner-Cromwell [background vocals], and Chad Cromwell [guitar]. Chad also assumed the role of producer. Like “a big brother”to Osborne, the producer and artist leveraged years of friendship, trust, and creative kinship to “make a record [they] wanted to do for many years.

“I didn’t have to push,” admits Chad. “It was his idea to let me ‘drive the bus,so to speak. That allowed him to focus on songs and his performances. The freer he is to write, play, and sing; the better the record. He really trusted me. To trust someone to help you make a record is an act of faith. It’s a big responsibility to make sure that happens. That’s a mighty thing Anders did, and I appreciate his trust. All signs pointed to this team, this time, and this music.” 

The setting proved to be as instrumental as the players did. From the beginning, Osborne envisioned making the album in California, but not the big screen vision of Hollywood. It made perfect sense to zero in on a location just far enough from the city. Ojai felt perfect to siphon the soul of SoCal into wistful sun-soaked soundscapes. You can practically hear Ojai in the aural fabric of the album.

“The Southern California vibe was essential to the record,” Osborne continues. “Early on, Chad and I agreed it had to be tracked out there. I’ve been wanting to do this for a while, and we needed to go out there. You can hear the influence. It’s played with a gentle breeze and tight precision. Cutting it in Ojai was crucial to achieving the right atmosphere. I usually write with a location in mind, so it helps me stay focused and guides me to craft a body of tunes rather than individual songs.”

That“body of tunes”kicks off with the dusty dynamics of “Alone.” In the pocket of a steady beat, the twang of clean guitar offsets his gruff delivery as the track unfurls towards a discordant guitar lead highlighted by organ.

‘Alone’was a meditative prose I wrote in my backyard,” he says. “It had a circular vibe to it, When I added the music, I wanted it to match the poem: a small word with an epic impression.”

Elsewhere, “Escape” captures the tension prior to his California trip with its off-kilter groove and roots-y shuffle. A wail of slide guitar cuts through sunny strumming as an idyllic narrative unfolds on “Traveling with Friends.”

He adds, “I wrote ‘Traveling with Friends’on St. Thomas, Virgin Islands while on vacation with my family. We had an amazing spot on top of a mountain overlooking a big part of the island, and I felt inspired and really grateful. I had a moment of relief from all of my searching and dissonance. I saw us all for what we are—beautiful, fragile, and in this tumultuous space trip all together.”

He crafted the perfect soundtrack to the trip with Buddha and The Blues, illuminating his own duality like never before. The message ultimately becomes clear in the music.

“Learn to choose,” he leaves off. “Be happy or continue suffering.”

Jamie McLean

Connect with this artist:

http//:www.jamiemcleanband.com

Jamie McLean is a triple threat. As a guitarist for New Orleans royalty Aaron Neville and Dirty Dozen Brass Band he's toured the globe playing fiery guitar everywhere from Madison Square Garden to Japan’s Fuji Rock. His blue eyed southern soul vocals ooze raw emotion and his top line songwriting chops tie everything together. With hundreds of original compositions to his name McLean creates a musical gumbo that incorporates New Orleans soul, Delta blues, middle America roots and New York City swagger

On February 23 Jamie McLean Band will release their long awaited new album One and Only. Recorded at the famed Sound Emporium studios in Nashville One and Only captures the band's strongest songwriting to date. The album was produced by Ken Coomer of Wilco and features special guests Sam Bush and Jeff Coffin of Dave Matthews Band. Live staples "Virginia" and "One and Only" finally get a beautiful studio performance and Jamie McLean Band will tour behind their new album throughout the US and Canada this year!

The live show is where Jamie McLean Band excels and the band has shared the stage with the likes of Gregg Allman, Aaron Neville, Dr. John, Taj Mahal, Tedeschi Trucks Band, Trombone Shorty, Los Lobos, Blues Traveler, Marc Broussard, Gov’t Mule and many more. Jamie Mclean Band has also appeared at festivals such as Bonnaroo, Mountain Jam, Targhee Fest, Okeechobee Fest, Ottawa Blues Fest, Quebec City Summer Fest, and Warren Haynes’ Christmas Jam to name a few. McLean has also enjoyed the sponsorship of Gibson Guitars, D'Addario Strings, Blue Microphones, Banker Guitars, John Varvatos and Esquire Magazine.

Don’t miss their amazing live set when they roll into a town near you!

"McLean and company ooze drops of southern roots rock, blues, R&B, funk and soul out of every note... the rock & roll swagger of the Rolling Stones combined with the songwriting prowess of Ryan Adams." - Jambase

“Jamie McLean Band is completely original and completely fabulous... The live version of this band is a three-dimensional experience not to be missed” – Hittin The Note

“A honkin' collection of Southern-style blues rock, Americana, and soul.... as bawdy as anything the Black Crowes tried to snag from The Faces or The Stones circa 'Sticky Fingers' and 'Exile on Main Street' and as groovy and gutsy as Bowie's 'Young Americans.'" - Charleston City Paper

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