Infinity Music Hall & Bistro
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Anders Osborne w/ special guest Oliver John-Rodgers

Infinity Hartford

DETAILS

Sun, August 14, 2016
Hartford, CT
Show at 7:30 PM

Ticket INFO

Price: $29 - $44

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GENRE

Blues / Blues Rock / Rock
Anders Osborne w/ special guest Oliver John-Rodgers

Grammy Award-Winning Singer/Songwriter/Guitarist Anders Osborn comes to Infinity Hall Hartford!!  The Swedish-born, longtime New Orleans resident is among the most original and visionary musicians performing today, and performed with everyone from Keb’ Mo and Johnny Lang, to Phil Lesh and Tim McGraw. 

Anders Osborne

Connect with this artist:

www.andersosborne.com

Video:


Artist Bio

Biography

Anders Osborne Spacedust & Ocean ViewsBiography

The depth of one’s life is evident through their music. The more sorrow, laughter and adventure experienced, the more interesting curves and crevices are carved into an artist’s songs. The miles traveled leave rich lines in the verses that only time, misadventure, and hard-won wisdom can produce.  Anders Osborne is a map of intensely felt, passionately engaged living, a fractured but healing topography of heartbreak and hope for fellow travelers to explore. 

Osborne’s music is redolent of the blues bathed in West Coast sunshine and brotherly compassion, a torchbearer for rock ‘n’ roll with blood in it’s veins and a heart in it’s hands. His long awaited new full length, Spacedust & Ocean Views, offers up graceful songwriting and signature guitar work on one of the strongest releases in his storied career. A strong sense of place runs through the album. From an evocation of geography to a questioning of one’s place in the universe, big ideas are condensed in thoughtful, smoothly swinging ways. It’s the album his fans have been waiting for- one that only he can deliver.

“These twelve songs speak about places dear to me, places I feel something profound about, but there’s also the presence of the universe,” explains Osborne. “I think one of the main struggles we all face is the separation from unity. I want to understand how I can feel unified with the world and others, with the universe writ large. I can arrange the ideas intellectually but the feeling of longing remains. The whole thing is a mystery, sometimes a sad, baffling mystery and sometimes very enchanting, but overall I just don’t understand and want to desperately. That’s what this music is, an attempt to understand it all.”

And what an attempt it is.

Producer Mark Howard (Bob Dylan, Daniel Lanois, Iggy Pop) uses Osborne’s seasoned, searching voice like a river running through the song cycle. It’s a distinctly human element that continually tenderizes the listener as his sinewy, emotionally charged guitar dances with longtime bassist Carl Dufrene, guitar foil Scott Metzger (Joe Russo’s Almost Dead), and the shared drumming of Brady Blade and Tony Leone. New Orleans percussion master Johnny Vidacovich, bassist James Singleton, and pop-jazz legend Rickie Lee Jones join Osborne for the cosmically charged album closer “From Space.” On the other hand, Spacedusts lead single “Lafayette” is a roots-fueled rocker- a track that finds Osborne simultaneously sticking to his guns and exploring new territory as an artist.

This special collection of compositions is the culmination of years of writing and touring. “This is the last chapter before something new emerges. I’m wrapping some stuff up and figuring some fresh stuff out,” says Osborne, who’s been moving beyond his complicated past for close to a decade. “Now my life is about a human experience in a larger sense. Now, I feel I’m standing on my own two feet, trying to be a grown man doing the right thing.” In an ever changing musical landscape, Spacedust & Ocean Views firmly plants Anders Osborne as one of American music’s elite guitarists and songwriters.

 

 

Oliver John-Rodgers

OJR

 “I grew up down round the Baby Blue Ridge,” sings Oliver John-Rodgers, more commonly known as OJR, on the title track of his second full-length album, Human Style (2012)The grandson of country music and bluegrass fanatics on both sides of his family, OJR, born in Virginia in 1992, was raised more directly on the angst-y, grunge dynamics of Nirvana, Cracker, and The Pixies.  Following four whirlwind years of soul-searching and adventure in the concrete jungles of New York, OJR relocated to Nashville in 2014. 

 And Nashville noticed. “Rowdy and energetic,” comments Philip Obenschain (No Country for New Nashville, July 2015), “the talented performer certainly flexes an affinity for country and folk he’s adopted as part of his sonic palette, but his sound truly lands more in the rock realm, with fuzzy, indie, and psychedelic sensibilities, and earnest, electrifying songwriting.” 

This discontentedly old-fashioned millennial is perfectly content with calling it like he sees it. “I don’t wanna be a part of this selfie situation,” begins the second verse of “My Generation,” 

the begrudgingly bouncy, bubblegum-pop single off Nashville Demos, OJR’s third full-length release (2015). “Aw,” he goes on bemoaning, “but I’m a part of the equation, and I don’t wish to be.” There’s restlessness in his songs, a supreme desire for more—more than, one might imagine, whatever the Good Book promises, or the Human Condition allows, or the American Dream offers. 

While High School and Human Style, his first two LPs, respectively, reside exclusively in a folk-friendly, singer-songwriter neighborhood (à la Bright Eyes/Ryan Adams/Elliot Smith), 2015’s Nashville Demos saw OJR exploring sonic terrain as diverse as grunge (“Numb”), outlaw country (“Runnin’ from the Law”), doowop (“In Love with a Bowler”), sensual 70s groove (“Lips on Fire”), and garage rock (“Front-Door Man”).  Recorded in various bedrooms all over the world—New York, London, Paris, Nashville, and Virginia--these "demos" certainly blur the line between home recordings and a proper, studio-grade album. That's because while OJR, ever the perfectionist, self-produced all ten tracks with Apple's free, built-in software, GarageBand. It's clear he devoted the time and attention to the detail one expects from a professionally tracked studio album than from anything made in a bedroom on a MacBook. 

 To call this album a collection of demos is perhaps OJR's way of expressing his dualist nature, his yin and his yang: he's an artist and producer, a singer and songwriter, a Virginia boy and a cosmopolitan. He's the Acid and the Cowboy. 


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