Infinity Music Hall & Bistro
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Lucero

Infinity Hartford

DETAILS

Sat, March 03, 2018
Hartford, CT
Show at 8 PM

Ticket INFO

Price: $23 - $49

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GENRE

Alternative Rock / Country Rock
Lucero

With over 11 albums under their belt, and a live recorded DVD, Lucero has spent the better half of the last 20 years making incredible music with their Country Punk-Rock anthems like “I’ll Just Fall”. They are a salute to the outlaw era of country music and bring it night in and out. Come join us as they make their Infinity Hall debut this March! This will make for a night of good ole’ American Rock & Roll…..tickets will go fast so grab your pair today!

Lucero

Connect with this artist:

luceromusic.com

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Artist Bio

You could say we were one of the lucky ones, starting this band in April of ’98 without a clue as to what we were doing. We were getting tired of the steady punk rock and metal diet and we wanted to try our hand at country songs, or do our best Tom Waits/Pogues impersonation.

The trick there was that we couldn’t really play our instruments! I had never played guitar before and Ben Nichols (lead singer, guitar) had only played bass in other bands. Finding Roy Berry (drummer) and John C. Stubblefield (bassist) solidified the lineup and being hidden away in Memphis allowed us to woodshed, experiment with different sounds and create one that was ours alone.

Eventually we got out of town, and playing 250 shows year not only made us tight as a band but as a family as well. We are still one of the few bands out there with the original line up from almost the beginning, and it shows.

Picking up Rick Steff on keys allowed us to expand the sound and grow musically. Being able to play whatever we could think up in our heads and having the music we loved and grew up on motivate and inspire us to try new things and take chances. We realized that if you added some horns to Ben’s lyrics that it took it to the next step, from sad bastard country rock to soul and R&B and we realized we were a Memphis band and came by it honest. We have always brought Memphis with us wherever we went and this just proved it.

We came out screaming on 1372 Overton Park. Big sound, bigger horns – like a kid with a new toy we put them on everything and loved it! This record was a marked departure from the previous sound and announcement of way things we’re gonna be now!

While 1372 Overton Park was written and the horns added after the fact, Women & Work was written with the horns in mind so it was a little less gung ho and was starting to settle in nicely. Women & Work is one of the best modern Southern rock records in my opinion and the song “On My Way Downtown” has almost surpassed “Tears Don’t Matter Much” as the crowd favorite… almost!

This brings us to the new record. All A Man Should Do contains some of the most resonant lyrics Ben Nichols has ever written, lyrics that read like chapters from his life on the duality of relationships, getting older, finding where you want to be in this world, and musically we are broadening our sound. Working with producer Ted Hutt for a third time at the famous Ardent Studios, we felt comfortable enough to take some chances with a palette of new tones that sound understated yet powerful, bringing life to the stories behind the lyrics without overshadowing them.

It’s also the first time we’ve ever put a cover song on a record, with a full band version of big star’s “I Fell in Love with a Girl”, and having Jody from Big Star sing back-up vocals makes it that more special and amazing. This is a Memphis record in the greatest sense and a perfect finish to the three-part love letter to a city that brought us up and made us what we are today.

“I was 15 years old in 1989. This record sounds like the record I wanted to make when I was 15. It just took 25 years of mistakes to get it done.”  – Ben Nichols

“Having Big Star actually sing on your cover of a Big Star song that you’re recording at Ardent Studios – it doesn’t get much more exciting than that.” – Ben Nichols

Jake La Botz

Connect with this artist:

www.jakelabotz.com

A juvenile delinquent in the early ‘80s discovering punk music and drifting. A high school dropout who works odd jobs. A subways and street busker taken under the wing of grizzled, wise bluesmen in Chicago. Avid reader who charts a self-education in a public library while falling under the spell of music, tattoos, sunshine, cheap motels, and drug addiction in southern California. Film actor. Gospel musician in all-black church. Buddhist. Meditation teacher. Then, through innumerable gigs with his Chet Baker looks and his large-bodied guitar, he finds friends and admirers in J.D. McPherson and a whole new crop of Americana musicians in his new abode in Nashville.

Jake La Botz’s story seems entirely too cinematic to be true – a film with shades of Merle Haggard and Tom Waits and Charles Bukowski and Mark Twain and Sid Vicious and David “Honeyboy” Edwards and Jim Jarmusch and Boxcar Bertha and Jack Kerouac all wrapped into one. And all of these experiences play into his new album ‘Sunnyside,’ out May 12 on Hi Style Records, a record that shows that his imagistic songwriting, storytelling range, and recounting of his experiences are just as deep as the aforementioned list of greats.

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