Infinity Music Hall & Bistro
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Ryan Montbleau Band with Dwight + Nicole

Hartford

DETAILS

Fri, April 01, 2022
Hartford, CT
Doors: 7 PM
Show: 8 PM

Ticket INFO

Price: $28 - $38

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GENRE

Folk / Singer-Songwriter
Ryan Montbleau Band
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A staple in the New England music scene, Ryan Montbleau blends rock, folk, americana, and r&b to create a blend of fresh yet comforting music that feels like home. 

For as long as he can remember, Ryan Montbleau’s been a seeker. From the jungles of Peru to the volcanoes of Hawaii, from the beaches of Costa Rica to the streets of Brooklyn, from the backseat of a 16-passenger van to backstage at Carnegie Hall, the acclaimed singer/songwriter has spent much of his life crisscrossing the globe on a perpetual search for meaning, purpose, and understanding. It’s a quest that’s guided him both personally and professionally over the years, one that’s come to define not only his music, but his very sense of self. And yet, listening to Montbleau’s ambitious new multi-part album, Wood, Fire, Water, and Air, there is a profound sense of satisfaction in sitting still, a recognition that perhaps all those spiritual treasures he’s been chasing for so long were closer than he thought. 

“My whole adult life has been this journey of trying to figure out where home is,” Montbleau reflects. “I think I’ve finally found it.”

Ryan Montbleau Band

Connect with this artist:

www.ryanmontbleau.com

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Artist Bio

For as long as he can remember, Ryan Montbleau’s been a seeker. From the jungles of Peru to the volcanoes of Hawaii, from the beaches of Costa Rica to the streets of Brooklyn, from the backseat of a 16-passenger van to backstage at Carnegie Hall, the acclaimed singer/songwriter has spent much of his life crisscrossing the globe on a perpetual search for meaning, purpose, and understanding. It’s a quest that’s guided him both personally and professionally over the years, one that’s come to define not only his music, but his very sense of self. And yet, listening to Montbleau’s ambitious new multi-part album, Wood, Fire, Water, and Air, there is a profound sense of satisfaction in sitting still, a recognition that perhaps all those spiritual treasures he’s been chasing for so long were closer than he thought. 

“My whole adult life has been this journey of trying to figure out where home is,” Montbleau reflects. “I think I’ve finally found it.”

Set to roll out across four distinct EPs, Wood, Fire, Water, and Air marks Montbleau’s first studio release since putting down permanent roots in Burlington, Vermont, where he recently purchased a house after more than two decades of living on the road. While much of the material here was written in fits and starts over the past several years, it’s clear that the desire for stability was very much on Montbleau’s mind even before he settled on the banks of Lake Champlain, and the songs reflect a maturity and self-awareness that can only come from the difficult work of rigorous self-examination. Montbleau is quick to credit therapy for his growth of late, but he sings about more than just himself here, mixing sly humor and deep revelations as he meditates on the ties that bind all of us perfectly imperfect humans together. Taken as a whole, it’s a broad, insightful collection balancing boisterous rock and roll energy with intimate folk introspection, a sprawling, magnetic record all about listening, letting go, and living life.  

“I’ve been through a lot over these past few years,” says Montbleau, “and I’ve experienced some monumental shifts in my perspective. The only way for me to write about it was to just get as honest and vulnerable as I could.”

Honesty and vulnerability have been hallmarks of Montbleau’s career since the early 2000’s, when he first began performing around his native Massachusetts. In the years to come, he’d go on to collaborate with artists as diverse as Martin Sexton, Trombone Shorty, Tall Heights, and Galactic, and rack up more than 100 million streams on Spotify alone. Along the way, Montbleau would share bills with stars like Tedeschi Trucks Band, Ani DiFranco, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples, but it was his ecstatic headline shows—often more than 200 of them a year—that solidified his reputation as a roots rock powerhouse and an inexorable road warrior. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relix celebrated his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity.” 

That positivity would serve Montbleau well on the long and winding road to Wood, Fire, Water, and Air. Work on the record first began in the summer of 2019 at the gorgeous Guilford Sound studio in southern Vermont, where Montbleau and producer Adam Landry (Deer Tick, Rayland Baxter) laid down basic tracks with a rotating cast of players. At the time, Montbleau had little idea what he was getting himself into.

“I honestly didn’t know what this project was going to be for a very long time,” he explains. “All I knew was that I had a bunch of songs I was really excited about, and that I wanted to take a new approach to recording them.”

For much of his career, Montbleau had worked fast and loose in the studio, capturing music as raw and organically as possible. This time around, though, he found himself craving a bolder, more fully realized sound, and by the time he finished basic tracking in Guilford, it was clear that his work had only just begun. What followed was a yearlong odyssey of adding, subtracting, revising, and reimagining, as Montbleau and mixer/engineer James Bridges fleshed out the sessions with a broad array of instruments, textures, and colors.

“It took a long time for me to get to a place where I could trust myself enough to stretch out like this,” says Montbleau, who experimented with synthesizers and drum machines and added piano and mandolin to his repertoire for the project. “I’d always kind of deferred to other people’s expertise in the studio, but learning to trust my ears and get my hands dirty with the music was a totally empowering experience.”

As the songs took shape, it became clear to Montbleau that there were discrete themes at work within the larger collection, both sonically and emotionally. Rather than release the entire 15-track record all at once, then, he decided he would unveil the album more deliberately over the course of four separate EPs, each inspired by an element of the natural world. First up: Wood, a rustic, earthy trio of tracks taking stock of just what it means to be human in these bewildering times. Songs like the playful “Perfect” and soulful “Ankles” wrap weighty ruminations inside deceptively lighthearted packages, and the spare, stripped-down arrangements make for an ideal bridge between Montbleau’s earlier work and the more adventurous sounds to come on the album’s second installment, Fire. Infused with an infectious energy and feel-good pop optimism, Fire showcases the rock and roll side of Montbleau’s personality, celebrating the joy and liberation that comes with learning to live in the moment.

“The songs on Fire were a chance for me to just let loose and have fun,” says Montbleau. “They were an opportunity to not overthink things for a change, to trust my gut and follow what felt good.”

The arrival of Water quickly cools things down, though, bringing the music back to Earth with a more sober, meditative quality. Montbleau wrote several of the tracks while doing medicine work in Peru, and the healing, regenerative nature of that trip is obvious on songs like the dreamy “Forgiveness,” which features extensive keyboard contributions from avant-garde icon John Medeski. By the time we reach the album’s final chapter, Air, Montbleau seems to have found peace within himself, coming to terms with the transient, fleeting nature of our existence. “Just know that you are not alone,” he sings on “The Dust,” “and that’s all you get to know now.”

“Even though COVID kind of upended everything with my career, this past year has been a rare chance for me to stay put for a while and focus on what really matters,” says Montbleau, who recently invited his girlfriend and her daughter to move in with him in Burlington. “I feel like I finally have a real family life now, and I’m living on stable ground for the first time.”

That doesn’t mean the hunt for purpose and meaning is over. Ryan Montbleau will always be a seeker, and that’s alright. As Wood, Fire, Water, and Air so beautifully demonstrates, sometimes the search is its own reward.

Dwight + Nicole

Connect with this artist:

www.dwightandnicole.com

American roots artists Dwight Ritcher and Nicole Nelson have toured the Eastern US as a power trio called Dwight & Nicole since 2017. They have been steadily cultivating a devoted following, and gaining plenty of industry respect along the way; nominated for nine Boston Music Awards, eight Daysie Awards, and ten New England Music Awards, winning “Band of the Year”, “Vocalist of the Year”, “Best Blues/R&B Band”, “Female Vocalist of the Year”, “Blues Act of the Year” and “Video of the Year” They have opened up for their idols including Mavis Staples, who exclaimed “Dwight & Nicole are my favorite new band!” as well as Melissa Etheridge who said “Dwight & Nicole are absolutely the real deal. They are outstanding singers and songwriters, and I am proud that they are here. They’re carrying the torch”

Nelson and Ritcher met in Boston, Massachusetts when they were just out of school, both cutting their teeth on the local club circuit. They each fronted popular bands in the area, and discovered a shared obsession of soul & blues greats like the Staples Singers, Albert King, Lighting Hopkins, Jimmy Witherspoon, Roberta Flack & Etta James. They began singing together often, and developed a close friendship that grew over time. Eventually, forming Dwight & Nicole, which was in the early days, a duo group; Dwight on electric guitar, Nelson on tambourine stomping their feet and singing in harmony. They began to tour regionally- writing together and developing a sound. After a move to Burlington VT, they met powerhouse drummer Ezra Oklan (Nicole Atkins, Elle King) and the group quickly formed a trio with Nelson picking up the bass.

Their EP, Electric Lights, was recorded live to analog tape with multi-Grammy nominated producer Joel Hamilton (Aaron Neville, Tom Waitts, The Meters, The Black Keys) at Studio G in Brooklyn, NY. Hamilton has undoubtedly captured their sound and live energy. He also brings out their experimental side on Electric Lights. The EP has introduced the band to a new wave of fans as well as opportunities including their first major label distribution deal through Orchard / Sony Music.  The year wrapped up with another Independent Music Award nomination, and the Electric Lights EP landing on several ‘Best of the Year’ lists. 

 

Winter of 2019 found them back in the studio with Hamilton, recording their follow up as a power trio. The new album was set to be released in April of 2020, but the worldwide shutdowns & cancelled tours hit pause on everything. D+N took the time off the road to become more active in their local community, hosting fundraisers, streaming concerts, and Nicole began offering online sound healing sessions. Their following grew, and the band grew as well; now their live show features keys, backup vocalists and often a horn section. Check out their latest EP “Further” released at the end of 2021. Here’s what American Songwriter had to say: “What’s so neat about “Further” is its sense of immediacy… there’s something about Ritcher and Nicole Nelson’s vocal performances that makes it feel so raw, so urgent” The Burlington Free Press has proclaimed it “One of the best EPs to ever come out of the Green Mountain State”. 

A full length album is slated for release in the Fall of 2022. 

Follow D+N on IG & socials for upcoming tour announcements and a peek behind the scenes @dwightandnicole

“Give “Wait” a spin and, for at least three minutes and fifty seconds, all will be right with the world” 

~ Dan Bolles, Seven Days (review of the single “Wait”)

“A retro soul band, contemporary blues act, roots rock duo and r&b dynamo all at once, Dwight & Nicole have found that (producer) Joel Hamilton can capture their spirit on tape… and that can be heard on new single “The Next Go-Round. Written by singer / songwriter / multi-instrumentalist Nicole Nelson and based on a simple, hypnotic keyboard line she came up with, “The Next Go-Round” works nicely as a calling card for Dwight & Nicole’s sound. It resembles a gospel tune written a century ago and would also fit nicely on Brittany Howard’s experimental pop album.”

~ Jed Gottlieb, Boston Herald (review of the single The Next Go-Round)

“Notes of R&B and hip-hop with a smoothness that feels like cruising through the city on a summer night. The band layers on funky elements on guitar and organ, culminating in a mix of vocal harmonies and rich instrumentals that leave you feeling enchanted.”

-Glide Magazine (review of the single “Time)

“Take R&B, soul, blues, mix in razor-sharp rock guitar... heat to boiling, and watch your face melt. That's Dwight & Nicole.” ~ Relix Magazine (live show review)

“Dwight & Nicole are a tour-de-force that demand much wider success. Poignant, hard driving... and heavenly” ~ Steve Morse, Boston Globe (feature story)

“There are good voices, and then there are GREAT voices; Nicole Nelson is definitely the latter” ~ Christina Aguilara

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