Infinity Music Hall & Bistro
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Hayley Jane & The Primates w/ James Maddock - Folk Rock, Performance Dance, Harmonies, Jams, and much more!

Infinity Norfolk

DETAILS

Fri, May 04, 2018
Norfolk, CT
Show at 8 PM

Ticket INFO

Price: $19 - $34

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GENRE

Folk Rock / Jam Band
Hayley Jane & The Primates w/ James Maddock - Folk Rock, Performance Dance, Harmonies, Jams, and much more!

We are so excited to announce Hayley Jane and the Primates. You’ll absolutely love her onstage energy and the Primates bring some serious chops and theatrics with their Jazz-Funk-Blues-Indie fusion. Opening up for them is the ever talented James Maddock who is bringing his solo performance for an intimate and unique performance! 

Hayley Jane and the Primates

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hayleyjaneandtheprimates.com/about/

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Artist Bio

Hayley Jane & The Primates combine Americana, soul and rock & roll with rich lyrical imagery that electrifies the heart. At the helm is rising star, Hayley Jane. She leads the band through an infectious live experience filled with powerful vocal range, vibrant dance choreography and dramatic performance that captivates her devoted fanbase.

Hailing from Boston MA, the band was the winner of the 2014 New England Music Awards’ Roots/Americana Act Of The Year and has been performing at premiere venues and festivals across the country. Hayley Jane has also established herself as a strong female presence in the national music scene and was recently featured in the RELIX “Women Who Rock” Issue.

The band’s first full-length album, Gasoline, was engineered by Brian Wallace of Sublime and released in 2014. The album was recorded during a West Coast Tour that kicked off at the iconic Whisky a Go Go and ended with a Monday Night Football performance at Qualcomm Stadium.

Hayley Jane and the Primates are releasing their sophomore album “We’re Here Now” in the Fall of 2017. Produced by Craig Brodhead of Turkuaz, the album carries an energy and poetry that represents the best of American music.

The band has played a variety of music festivals including Gathering of The Vibes, Catskill Chill, FloydFest, Strange Creek, Wormtown, Camp Creek, Jerry Jam, Disc Jam, Great North, and many more. The band has shared bills with Dopapod, Perpetual Groove, The Nth Power, Zach Deputy, Pink Talking Fish, Dumpstaphunk and many more.

Hayley Jane and the Primates released their first EP entitled Color Me, in the spring of 2012, which was described as “brilliant, brave, innocent, tangled and cutting edge…genius” -Scarlet’s Picks

“Hayley Jane & The Primates are one of the most exciting and rapidly ascending bands touring the jamband circuit today. The band possesses a natural sense of fearlessness on stage, which is fueled by their unquestionable chemistry, and daring sense to explore musical parts unknown by pushing the envelope in a live setting.” Stu Kelley – Relix Magazine

James Maddock

Connect with this artist:

jamesmaddock.net/home

The best singer-songwriters serve the song. The songwriter’s songwriter, James Maddock, who has earned the respect of masterful writers such as Bruce Springsteen and Willie Nile, has built his acclaimed legacy on humbly honoring purity of expression. Many albums in his beloved catalog are elegantly spare, conveying his songs and sentiments in the most direct possible way. But for his latest album, The Green, the songs guided him into recording the most eclectic, exhilaratingly soulful, and imaginatively produced album in his career.

“This is my best album. It’s an upbeat record with really strong songs and a lot of surprises,” the British transplant reveals. “It all happened really naturally. I just listened to where the songs where going and allowed myself the time to give each one a proper sonic home.”

Since 1999, James Maddock’s boldly vulnerable songwriting, honeyed rasp, and distinct folk and Americana aesthetic have garnered acclaim from icons, peers, and tastemaking outlets like NPR, American Songwriter, Relix Magazine, and CMT Edge. Relix notes: “James Maddock possesses the kind of lived-in, craggy voice that would sound authoritative if he were singing the sports pages. Fortunately, he doesn’t need to do that because his compositional skills are a match for his delivery.” His consistency as a recording artist and a captivating live performer have attracted a devoted fanbase engaged and generous enough to fan fund the last two entries in his six-album oeuvre. He’s performed with Bruce Springsteen, Willie Nile, Aaron Comess (Spin Doctors) and David Immergluck (Counting Crows), sang on an album with Susan McKeown, and has built a respected international profile through tireless touring from the Northeast US to Europe to Australia.

Previous to his solo career, James was the frontman for the Columbia Records band Wood. It was in this context that he was first introduced to a mainstream audience when songs from the group’s debut, Songs From Stamford Hill, were prominently featured in Dawson’s Creek. In 2003, Maddock relocated from England to New York, and, soon after, launched his solo career. His 2009 solo album Sunrise On Avenue C won a New York Music Award for “Best Americana Album,” while its follow-up, Wake Up And Dream, ranked among the top albums of 2011 in WFUV’s (NYC) Listener Poll.

The Green truly captures NPR’s accolade that “his timeless songwriting style, which seems to draw from great songwriters of every era, conveys quiet confidence and lovely intimacy.”

The album is bookended by “Once There Was A Boy Part 1” and “Once There Was A Boy Part 2.” Version one has a gospel-folk gait recalling Van Morrison and the more pastoral moments of The Pogues, and version two is a fresh rendition with stately strings and dreamy vocals. The track “Speaking For The Man” recalls the silken soul of Jimmy Ruffin (“What Becomes of the Brokenhearted”).  The title track finds James revisiting the political commentary songwriting style of his formative days. And the sleek and euphoric “Driving Around With the Win” and the simmering sensuality of “Let’s Get Out Of Here” are revelations in James’s catalog, showcasing the gorgeous patina of James’s vocals within an ultra modern sophisticated pop context.

The Green was produced by Iestyn Polson (David Gray, Patti Smith, and David Bowie) and boasts a more lush production aesthetic and more ambitious arrangements than any previous James Maddock records. The album features rich gospel-tinged backups courtesy of Cindy Mizelle (Bruce Springsteen, The Rolling Stones, Duran Duran), tasteful drum loops, elegant string arrangements courtesy of Alan Grubner, and contributions from Aaron Comess (The Spin Doctors), Tony Shanahan (Beck, Patti Smith, Suzanne Vega), and Brian Mitchell (Bob Dylan, Al Green, B.B. King).

This summer Maddock will be taking entries from The Green, as well as fan favorites from his back catalog, on the road. Live, Maddock imaginatively reinterprets his oeuvre to keep it fresh for him and his audience. “I love how songs reveal themselves differently in the live setting,” James says. “I’m grateful I have such a large body of work and an audience to share a creative dialogue with. It’s all a luxury and just a really beautiful thing—I feel very lucky.”

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